Celebration of Sharing, Embroidery on Wedding Tent, 213.3 x 365.7 cm (Detail), 2022.

The work "Celebration of Sharing" takes a wedding tent as an object that the artist sees as descriptive of its use and its presence. The artist's tent, upon closer look, is a record of an unknown celebration. A celebration that is primarily structured on the gestures of sharing. This work can be seen as a continuation of the artist's earlier interest in embroidery as a repetitive act to record or form images.

Rivers Of Milk And Honey (ii), Embroidery on Silk, 304.8 x 304.8 cm (Installation View), 2022.

Equal from all sides, Metal, 2018, 449.58 x 243.84 cm. (Installation in Process).

Equal from all sides is a work which transformed itself over the years from an idea of a moving image to the idea adapting itself into a three dimensional piece.

After staying in the artist's notebook awhile and transforming itself, the idea had the artist outsource it's own making to a metal workshop that produces fences.

Missing Letters, 2016. (Installation View). Paper Ashes.

Ashes were collected from RLO (Returned Letter Office) at Pakistan Post Office, Lahore. During the British era it was known as “Dead Letters Office”. They keep undelivered letters for thirty days before eventually burning them. Mostly stay undelivered, for having an incomplete or ineligible address and also sometime the reason is just an inefficient system.

I reduce these ashes to the point, where they cannot be burned further.